PERSONNEL FILE 64 / THE RETURN
William Hastings & Ruth Davenport
A principal and a librarian · Amateur researchers of the Zone · Case 89's founding witnesses
Two amateurs with a blog find the most accurate intelligence anybody produces about the Lodge in thirty years. One of them is dead before the season is a full hour old. The other tells the truth from the first interview and is killed for it anyway.
OVERVIEW
Case Overview
William Hastings, a high-school principal, and Ruth Davenport, a librarian, ran a website together researching access to a place they called the Zone. Ruth found indications of where and when they could reach it. They went, and there they found Major Garland Briggs — dead since 1989, and unaged.
Ruth is found murdered in Part 1: her head, on a body that is not hers. Hastings's fingerprints are at the scene and he is arrested. He maintains, from the first interview, that he dreamed he was there. He is telling the truth. He leads federal agents to the site he and Ruth found. A vortex opens. Ruth's headless body is recovered nearby, with coordinates written on her arm. Hastings is killed by a Woodsman while handcuffed in a police car.
PART 1 / BUCKHORN, SOUTH DAKOTA
The Body in Apartment 116
A woman named Marjorie Green walks her chihuahua down a corridor and the dog stops at apartment 116. The smell is coming from under the door. Inside, on the bed, is the body of Ruth Davenport, a librarian: her head, and a man's body that is not hers.
Detective Dave Macklay works the scene; the coroner, Constance Talbot, delivers the finding. Fingerprints at the scene belong to William Hastings, a high-school principal, who is arrested at a dinner party in front of his wife Phyllis, protesting that he has done nothing.
Critical reading
A head belonging to one person on a body belonging to another is a composite — the same operation as a manufactured double, a doppelgänger, a woman who looks almost exactly like Laura Palmer. This grammar has run through Twin Peaks since 1990. Buckhorn opens with it stated in flesh, on a mattress, by a coroner.
PART 2 / THE JAIL
The Figure in the Next Cell
William Hastings sits in a cell. His wife Phyllis is brought in and tells him there will be no bail. He insists again that he did not do it — that he dreamed he was in Ruth Davenport's apartment. The conversation turns. He knows about Phyllis and George, their lawyer, and maybe somebody else. She does not deny it. She leaves him with a sentence delivered as a gift: "Life in prison, Bill. Life in prison."
Alone, Hastings looks across the corridor. A sooty-faced figure is sitting in the cell opposite. Its head detaches and drifts upward, and it is gone. Hastings makes a sound that is not quite a word.
Critical reading
The composition is the season's method for admitting the supernatural into a procedural, and it costs almost nothing. Nobody screams. Nothing is explained. A Woodsman is simply present, in a county lock-up, in the same shot as a marriage collapsing over an affair.
Hastings keeps offering the same defence: I dreamed I was there. In Twin Peaks that is neither a lie nor an alibi — the same formulation comes from Sarah Palmer, from Cooper, and from a girl who wrote it in a diary.
PART 2 / THE HASTINGS HOUSE
You Follow Human Nature Perfectly
Phyllis Hastings comes home. Cooper's doppelgänger is standing in her house. She is shot with her lover's gun: "You did good. You follow human nature perfectly." The frame around her husband was built before the murder.
Critical reading
William Hastings is arrested for a murder he did not commit, on evidence that was staged for exactly that purpose, by a party operating with more information about his marriage than either he or his wife had reason to expect anyone outside it to hold.
PART 9 / THE INTERVIEW ROOM
The Zone
Agent Tammy Preston interviews William Hastings. He and Ruth Davenport ran a website about access to other dimensions. Ruth found indications of where and when they could reach the Zone. They went. They found Major Briggs there. Briggs asked them to obtain a set of coordinates from a secure military database, and they did, and they brought them back to him.
Then others came. They demanded to know the name of Hastings's wife. Briggs began to rise into the air saying "Cooper… Cooper…" and his head came off. Hastings woke at home believing he had dreamed it. Ruth was dead.
Critical reading
The most accurate intelligence anyone has produced about the Lodge in thirty years comes from two amateurs with a blog, and one of them is dead and the other is in a cell being disbelieved.
Cooper. Cooper. In 1989 the listening post printed his name out of deep space; in 2016 it is the last word out of Briggs's mouth. Whatever Garland Briggs has been doing for twenty-five years, it has had one subject.
The question the others asked is logged and not decoded: they wanted the name of Hastings's wife. Her name is Phyllis. She is already dead by the time the question is asked on screen, shot by the doppelgänger with her lover's gun.
PART 11 / THE COORDINATES
The Site
Gordon Cole, Albert, Tammy Preston and Diane drive William Hastings, handcuffed, out to the place he described. He shows them where. He got about fifteen or twenty feet in, he says, before his memory stops.
Gordon walks in. Above him the sky opens — a vast churning vortex, electrical, with a dark centre, and in the dark there are stairs, and figures on them. He is being drawn toward it. Albert takes hold of him and pulls him back by the arm.
Critical reading
In eleven hours of a season about cosmic machinery, the thing that keeps the head of the Blue Rose task force in this world is a colleague of thirty years holding onto him.
Hastings, handcuffed, leads federal agents directly to a genuine anomaly he cannot enter or explain. Whatever credibility his account had left is confirmed by the site itself, in front of the people who will not be able to save him.
PART 11 / THE SCRUB
Coordinates on Her Arm
Nearby in the brush, Albert finds a body: Ruth Davenport, headless, naked. He photographs her. On her arm there are numbers — a set of coordinates, written on the skin.
Critical reading
The librarian who found the Zone from a library and a website is lying in the scrub outside it with the data written on her body. It is the third time this season a corpse has been used as a container. Ruth Davenport's head was put on a man's body in Part 1; a wedding ring belonging to a manufactured man came out of Major Briggs's stomach in Part 9; and here the coordinates that everybody has been chasing are written in ink on a dead woman's arm.
Whoever wrote them intended them to be found. That is all that can be said.
PART 11 / THE POLICE CAR
He's Dead
Diane, waiting by the vehicles, sees one of the Woodsmen come out of the dark and walk to the police car where Hastings is sitting handcuffed. There is a sound. Hastings's head is crushed. Gordon looks in and says: "He's dead."
Critical reading
William Hastings told the truth about everything, from the first interview, in detail, weeping, and was disbelieved by every institution that heard him. He gave the FBI the location. He drove out with them, in handcuffs, and stayed in the car. And the thing he had been trying to describe reached in through the window and finished him.
CRITICAL READING
The Only Witness Who Told the Truth
Set beside every other suspect this archive has tracked, Hastings and Davenport occupy a position none of the others do: they are amateurs who got closer to the actual mechanism of the Lodge than any professional investigator in thirty years of story, and the cost of that proximity is total.
Ruth finds the method — research, a website, a location. Hastings supplies the will to go. Together they retrieve one piece of operational intelligence, coordinates from a secure database, and hand it to a dead Air Force major who has been waiting twenty-five years for someone to bring it to him. That single act of amateur competence sets in motion a chain that reaches Frank Truman, Jack Rabbit's Palace and Naido.
What they receive for it is Ruth's decapitation, a frame-up built to look domestic, and a disbelieving justice system that only starts to take Hastings seriously once his account has already been confirmed by federal agents standing at the site itself — by which point it no longer matters, because the thing that killed Ruth is waiting for him too.
Summary position: Twin Peaks has always punished the people who tell the truth about what they saw. Laura told Harold Smith and he was destroyed. Hastings told everyone who would listen, from the first hour, and was killed anyway, in custody, surrounded by federal agents who could not stop it.
DISPOSITION LEDGER / IN SCREEN ORDER
Disposition Ledger
01 Ruth Davenport's body
Part 1. Her head found on a man's body in apartment 116. Hastings's fingerprints at the scene.
02 Hastings arrested
At a dinner party, in front of Phyllis. "I dreamed I was there."
03 The figure in the next cell
Part 2. A Woodsman, unremarked. Phyllis tells him: "Life in prison, Bill."
04 Phyllis killed
Shot by the doppelgänger with her lover's gun. The frame was built before the murder.
05 The Zone, described
Part 9. Hastings tells Tammy Preston about the website, the coordinates, and Briggs's decapitation.
06 "Cooper… Cooper…"
Briggs's last words in the Zone, per Hastings's account, before his head came off.
07 The site
Part 11. Hastings leads Gordon, Albert, Tammy and Diane to it. A vortex opens over Gordon; Albert pulls him back.
08 Ruth's body found
Headless, in the brush, with coordinates written on her arm.
09 Hastings killed
A Woodsman crushes his head through the police car window while he sits handcuffed. "He's dead."
MECHANISM OPEN
What Stays Open
OPEN What the Zone is
A place reachable by research and coordinates, where a dead man does not age. No further definition is supplied.
OPEN Who "the others" were
The party that asked for Hastings's wife's name and decapitated Briggs is never identified.
OPEN Why the name mattered
What the question about Phyllis was for is never answered on screen.
OPEN Who wrote the coordinates on Ruth's arm
The act is deliberate — intended to be found — and the author is unstated.
Source trail
- Twin Peaks: The Return Parts 1, 2, 9 and 11 (Showtime, 2017) — every event recorded above.
- Blue Rose Archive — Major Garland Briggs file, The Woodsmen file, Part 11 dossier.
